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| Amazing illustrations, great compositions, but it's the colours and tones used in these posters that make them stand out for me. |
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| Wonderfully dark. |
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| Simple, clever because it's so simple. |
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| Clever. Seems obvious once you've seen it - but the whole point is you didn't and Barnbrook did. |
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| Colours. |
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| Clever, cheeky. |
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| Love the use of colour and placement of the pitch. |
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| Amazing idea: the illuminated connected isolation of the modern age. |
Favourites from D&AD 2010
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| Very good idea. |
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| Pastiche, but does something very clever with it. Keeps your attention - like a puzzle and by the time you've got it the message has sunk it. Cheeky and knowing too. |
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| Looks very original. Like the way he fills the space. |
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| Beautiful poster, wonderfully arranged with fantastic use of colour. |
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| My favourite - no idea what the hell it's about but it just looks gorgeous. |
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| Love the tile work and typography. |
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| Great idea, great execution. |
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| Brilliant touch to use a child's finger writing across the 'window' of the cover - really makes it feel like looking out onto a scene. Love the spare, effective use of red. |
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| Really like these posters. Slightly abstract images echoing the tag line. |
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| My favourite of the lot - love the overlaying of the images here. |
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| Brilliant idea: insurance claims for film car crashes. |
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| Creative yet true to original - actually strengthens the brand. |
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